The Donald Keene Center of Japanese Culture - Donald Keene Center Events Calendar Fall 2010



Donald Keene Center
of Japanese Culture
507 Kent Hall, MC 3920
Columbia University
New York, New York 10027

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Fax: 212-854-4019




Donald Keene Center Events Calendar Fall 2010

  SEPTEMBER | OCTOBER | NOVEMBER | DECEMBER

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  • All events at Columbia are free and open to the public.
  • Unless otherwise indicated, all of the programs listed below take place at Columbia University, 116th Street between Broadway and Amsterdam Ave.
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All events are free and open to the public. For reservation-only events, RSVP as requested in the event descriptions below.


 

SEPTEMBER 2010

September 15th, 2010 (Wednesday) 6:00 PM
"Tea Demonstration and Lecture"
Demonstration and Lecture by Dr. Genshitsu Sen (Soshitsu Sen XV), Urasenke
Venue: Casa Italiana, Columbia University
*Seating is limited. RSVP to

Lecturer Information:
Genshitsu Sen was born in Kyoto on April 19, 1923, as the first son of the fourteenth-generation Urasenke grand master (iemoto), Mugensai. He served as the Urasenke grand master for thirty-eight years, up to the end of 2002, when he transferred the iemoto position and the hereditary name Soshitsu that goes with it to his elder son. At the same time, he changed his own name from Soshitsu to Genshitsu. Genshitsu Sen is customarily referred to by the title Daisosho, which literally means “great grand master.” His Buddhist ceremonial name is Hounsai.

Since embarking on his first trip overseas in 1950, Genshitsu Sen has sought actively to promote the way of tea internationally. He has visited more than sixty countries and made over three hundred journeys abroad. He holds a Ph.D. from Nankai University, China, awarded to him in 1991 for the successful defense of his thesis concerning the influence of the Cha Jing, by Lu Yu (8th c.), on the development of Japan’s chado culture, and a Litt.D. from Chung-Ang University, Korea, awarded to him in 2008. Since September 2005, Sen Genshitsu has been serving as Japan-U.N. Goodwill Ambassador, a position he was appointed to by the Japanese government.
 

September 30th, 2010 (Thursday) 6:00 PM
"How the Sacred Foxes Came to Columbia: Anthropological Fieldwork, Synchronicity, and the Collecting Impulse"
Lecture by Karen Smyers, Anthropologist
Venue: Room 403 Kent Hall, Columbia University
*Co-sponsored by the Friends of Columbia Libraries

Lecture Information:
In 2008, Dr. Karen Smyers donated a priceless collection of Inari-related materials to Columbia’s C.V. Starr East Asian Library. Comprising not only books and periodicals, but also rare woodblock prints and a significant number of unique earthenware figurines, the materials were gathered over many years of ethnographic research at Fushimi Inari Shrine and other sites in Japan. At this celebration, Dr. Smyers discusses the origins and significance of the collection, and will field questions from the audience. A reception will follow in Starr’s Rare Book Reading Room, where many of the materials are on display.

Lecturer Information:
Karen A. Smyers majored in religion at Smith College and received a doctorate in anthropology from Princeton University. She subsequently taught at Wesleyan University for nearly a decade, specializing in the anthropological study of religion, especially Japanese popular religion. Her ethnography, The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, appeared from the University of Hawai’i Press in 1999. In 2001, Dr. Smyers began training at the C.G. Jung Institute in Zurich; she received her diploma in 2007. Currently, Dr. Smyers has a private practice as a Jungian analyst in Hadley, Massachusetts, and serves as the President of the Jung Center of Western Massachusetts. In spring 2012, she will teach a class at the Jung Institute in Boston on Japanese mythology, psychology, and ethos. She is still fascinated by foxes.

 

 

OCTOBER 2010

October 7th-9th, 2010 (Thursday-Saturday)
“John C. Weber International Symposium on Japanese Religion and Culture: Images and Objects in Japanese Buddhist Practice”
Venue: Room 301 Philosophy Hall, Columbia University
*Co-sponsored by the Columbia Center for Japanese Religion

Symposium description:
The Columbia Center for Japanese Religions announces the first annual John C. Weber International Symposium on Japanese Religion and Culture. The 2010 symposium, entitled Images and Objects in Japanese Buddhist Practice, will be held at Columbia University from October 7 to October 9, 2010. The symposium will begin with a keynote address on the evening of Thursday, October 7 by Mimi Yiengpruksawan of Yale University and will be followed by two days of papers and discussion on Friday and Saturday, October 8 and 9. The symposium will bring together scholars of Japanese Buddhism and Japanese Buddhist art from Japan, Europe, and the North America to critically examine the historical use of objects of visual and material culture in Japanese Buddhist practice. Through the presentation and discussion of new scholarly work from diverse theoretical and methodological perspectives, this symposium will explore the relations between images, objects, and ritual in the history of Japanese Buddhism.

A full description of participants, discussants, and paper titles is available on the CCJR website.
 

October 11th, 2010 (Monday) 6:00 PM
"Tsugaru Shamisen Performance
and Lecture"

Performance and lecture by Oyama x Nitta
Venue: Room 403 Kent Hall, Columbia University
*Sponsored by the Japan Foundation, New York

Lecture Information:
The shamisen is a traditional instrument introduced to mainland Japan from Okinawa in the sixteenth century. Somewhat similar in appearance to a banjo, the instrument has undergone several evolutions through the centuries, the latest of which is the Tsugaru shamisen. This unique instrument is heard throughout the world, spanning genres from traditional Japanese folk melodies to contemporary popular hits and original compositions at international jazz festivals. The versatility of the Tsugaru shamisen will be highlighted in a live performance by Oyama x Nitta, a duo formed by two of Japan’s leading Tsugaru shamisen performers.

Lecturer Information:
Yutaka Oyama, from Aomori Prefecture, is a third-generation Tsugaru shamisen player of the Oyama school, who started studying the shamisen at a very early age. He won the National Folkloric Music Association’s Tsugaru Shamisen Contest for two consecutive years (2001, 2002). In addition to live performances all over the world, he is also active in recordings, TV appearances, and commercials. In 2003, he founded Soothe, a musical ensemble based around his Tsugaru shamisen that has performed live, and has released three albums to date: Soothing (2004), Habitual (2006), and Bolinho De Arroz (2009).

Masahiro Nitta, from Hokkaido, is a second-generation Tsugaru shamisen player of the Nitta school. Since 1998, he has won several national Tsugaru shamisen contests. He has released more than five albums since the turn of the century, and has performed extensively in Japan and internationally. He is also active in the film industry, both as a musician and as an actor. Along with performing in Oyama x Nitta, he has formed a band with Minneapolis-based American guitarist Dean Magraw, and also performs as a member of the California-based Monsters of Shamisen.
 

October 14th, 2010 (Thursday) 6:00 PM
"Learning Kanji: Perceptions and Strategies"
Lecture by Yoshiko Mori, Georgetown University
Venue: Room 301 Philosophy Hall, Columbia University

Lecture Information:
Japanese language learners often consider kanji (i.e., Chinese characters borrowed into Japanese) one of the most challenging parts of the learning process. Challenges in kanji learning include difficulty in retention, multiple readings of a single character, visual similarity, the polysemic nature of kanji words, the large number of characters to learn, and visual complexity.

In her presentation, Prof. Mori will examine Japanese language students’ beliefs about kanji and kanji learning, and their relationship to the ability to learn novel kanji words. A questionnaire survey identified six attitudes toward kanji represented by the following beliefs: (a) kanji is fun; (b) kanji is difficult; (c) kanji has cultural value; (d) kanji has a future; (e) kanji is useful; and (f) kanji learning requires special abilities. It also identified the following six kanji learning strategies: (a) morphological analysis; (b) rote memorization; (c) context-based strategies; (d) associational strategies; (e) metacognitive strategies (i.e., strategies used to increase awareness of one's own learning); and (f) helplessness.

Further analysis indicated that students considered rote memorization most effective and metacognitive strategies least effective. An examination of the relationship between learner perceptions and learners’ performance on tests, however, revealed that belief in the effectiveness of metacognitive strategies accounted for 14-16% of the variance of success in compositional analysis. Based on these research findings, Prof. Mori will argue that (a) Japanese language students should reflect upon their own kanji learning from various perspectives, (b) students' task-specific beliefs have a significant impact on their achievement in a given task, and that (c) metacognitive awareness plays an important role in dealing with learning challenges.

This lecture is offered as the Sixth Shirato Lecture on Japanese Language.

Lecturer Information:
Yoshiko Mori is Associate Professor and Director of the Japanese Language Program in the Department of East Asian Languages and Cultures at Georgetown University. She holds a Ph.D. in Educational Psychology from the University of Illinois at Urbana-Champaign. She specializes in second-language learning and instruction from a psycholinguistics perspective. Her research interests include second-language kanji learning and instruction, the role of metacognitive awareness in vocabulary learning, student perceptions, individual differences in language learning, and heritage language learning. Her work has been published in Reading Research Quarterly, Language Learning, Modern Language Journal, Applied Psycholinguistics, and Foreign Language Annals. At Georgetown, Dr. Mori teaches advanced Japanese reading, Japanese linguistics, and the acquisition of Japanese as a second language. She has also taught courses in second language acquisition and teaching methodology in the Japanese Pedagogy MA program at Columbia University.
 

October 18th, 2010 (Monday) 6:00 PM
“Marchands, Merciers, and Magots: The Japanese Lacquer Collection of Madame de Pompadour”
Lecture by Monika Bincsik, Ritsumeikan University
Venue: Room 403 Kent Hall, Columbia University

Lecture Information:
The eighteenth-century lacquer market in Paris was governed by the need for large-size Chinese panels, but also the smaller, delicately executed Japanese lacquer objects were highly valued. The utmost luxury was the combination of the rare Japanese “antique” lacquer and their setting into gilded bronze mounts. Many of the chinoiserie cabinets in France were executed for women which suggest an image associated with China and Japan at that time: secluded, but elegant, luxurious feminity. Similar notions were applied to collecting Japanese lacquer: a pastime or a kind of parlour game, the field of the ‘amateurs’. The prices at the art market around the mid-eighteenth century were set or at least greatly influenced by the royal family, Madame de Pompadour and the financiers (fermiers généraux), like Randon de Boisset, friend of the painter François Boucher and owner of a significant lacquer collection. The financiers were buying art as investment – knowing the vulnerability of the property values. As a result of the weakness of the contemporary economy structure, money that couldn’t be invested safely found its way to the sale rooms and art dealers.

Madame de Pompadour purchased most of her Japanese lacquers from Lazare Duvaux. The Marquise from 1746 to 1762 bought, built and leased a total of fifteen properties, the decoration of these required numerous art objects. Her personal tastes were reflected in the interior concepts, she preferred the small-sized, intimate rooms when status and political representation required the monumental. Between May 1750 and June 1758 she acquired about sixty Japanese lacquer objects from Duvaux, including panels re-used to decorate furniture as well as lacquer boxes of different sizes and small maki-e (sprinkled picture) decorated boxes mounted as snuffboxes. Some of the highest quality Japanese maki-e objects to ever reach Europe were in the collection of the Marquise.

Lecturer Information:
Dr. Monika Bincsik, a specialist in Japanese lacquer and the history of its reception in Europe and the United States, has served as the Curator of Japanese Art at the Ferenc Hopp Museum of Eastern Asiatic Arts, Budapest, and is currently a Research Assistant at the Art Research Center of the Ritsumeikan University.
 

October 28th, 2010 (Thursday) 6:00 PM
"Are We Rich or Poor? Economic Culture in the Early Tokugawa Period"
Lecture by Mary Elizabeth Berry, University of California, Berkeley
Venue: Room 403 Kent Hall, Columbia University

Lecture Information:
The talk uses three quotations as departure points for exploring the free-wheeling economic climate of early Edo. "Freedom of trade is necessary for the people" (Kyoto city statute, 1622). "The remarkable foods of our country number in the thousands of ten thousands" (popular cookbook, 1643). "By working diligently, you will store up ample grain and gold and thus establish your house. No official will lawlessly take away the surplus" (shogunal statute, 1649).

Lecturer Information:
Mary Elizabeth Berry is the author of Hideyoshi, The Culture of Civil War in Kyoto, and Japan in Print: Information and Nation in the Early Modern Period.
 

 

NOVEMBER 2010

November 11th, 2010 (Thursday) 6:00 PM
"Rōdoku Workshop"
Workshop by Michiko Shirasaka, Vocal Artist
Venue: Room 403 Kent Hall, Columbia University

Lecture Information:
This event takes the form of an interactive performance workshop, led by Michiko Shirasaka, one of Japan’s best-known contemporary “readers” of Japanese literature and oral story-telling practitioners.

Organized by Fumiko Nazikian, director of Columbia’s Japanese language program, the workshop is designed to provide students of the Japanese language not only with a brief history of rōdoku, but also with an opportunity to present their own recitations in the rōdoku mode. Ms. Shirasaka will offer feedback and commentary to the student participants, and will also demonstrate her own vocal style.

The materials on which the reading performances will be based include both classical and modern Japanese literary works of renown.

Lecturer Information:
Born in Hokkaido, Ms. Shirasaka commenced her career as a narrator and voice actor by joining the NHK Broadcasting Drama Company in 1956. She has since performed in numerous radio dramas and TV programs in Japan. After leaving the Drama Company in 1999, Ms. Shirasaka began teaching Japanese book reading, or rōdoku, at NHK’s cultural classes. She established a reading group called Katari Kōbō with Ms. Ayako Fukuzawa, who was one of her students at the reading class. They hold reading workshops as well as reading performances of classic literature throughout Japan with the aim of promoting an appreciation of the Japanese language. She has recorded many rōdoku CDs, including readings of the classical tale Taketori Monogatari (The Bamboo Cutter), Shūhei Fujisawa’s period pieces, and Kuniko Mukōda’s novels.

 

November 11th, 2010 (Thursday) 6:30 PM
"From Sword to Kiln: The Transformation of a Kyoto Family"
Lecture by Takahiro Kondo, Ceramic Artist
Venue: Room 612 Schermerhorn Hall, Columbia University

Lecture Information:
The renowned contemporary potter Takahiro Kondō will recount the transformation of his family from hereditary samurai of the Edo period to acclaimed potters in the modern age. In addition, Kondō will speak about his own work, which is noted for its innovative techniques and bold geometrical designs, as well as the artistic legacy of his grandfather, Yūzō Kondō, a Living National Treasure who specialized in traditional cobalt blue–underglazed wares.

Lecturer Information:
Despite growing up in the shadow of the kiln, Takahiro Kondō did not initially turn his hand to it, focusing instead on perfecting his technique at table tennis. As a result, he started his formal training in ceramics in his twenties, unusually late for Japan, after having completed a degree in literature from Hosei University. He has progressed through an initial period of making blue and white porcelain (sometsuke) in the tradition of his family, before branching out into a very different use of porcelain, mainly slab-built rather than thrown. Later he came to incorporate metal and glass into his work, and continues to experiment with other media. He is best known for the precious metal overglaze “silver mist” which he has used with great success to represent different states of water. Kondo was very strongly influenced by his uncle Yutaka in deciding to turn to ceramics and art as his life’s work, and like his uncle, has taken advantage of opportunities to work and live abroad, earning a Master’s degree from the Edinburgh College of Art in 2003, and also exhibiting and traveling abroad regularly. His work is represented in many public and private collections in Japan, the US, the UK, and Australia.

 

November 16th, 2010 (Tuesday) 12:00 PM
"Making '1968' in Japan: The Political Alchemy of Violence"
William Marotti, Associate Professor of Japanese History, UCLA
Venue: 918 International Affairs Building, Columbia University
*Co-sponsored by the Weatherhead East Asian Institute

Lecture Information:
1968 became an iconic year as protestors took to the streets in country after country. But what brought about this mass politicization and participation? Through a microhistorical analysis, Prof. Marotti examines the process as it unfolded in Japan between late 1967 and early 1968, bringing into vivid relief the specificities of local engagement in a global moment.

Press coverage of violent protest incidents, argues Prof. Marotti, provided a medium and occasion for transforming public perceptions of the legitimacy of state force and of political protest itself. Attracted initially by the commercial potential of small, spectacular protestor-police confrontations, coverage slowly came to recognize purpose, reason, and humanity on the side of the opposition. Caught up in police attacks, citizen onlookers, as well as photographers and journalists, became surrogates for imagining a citizenry under direct assault.

Even as protesters underwent a transformation from “animals” to “victims” and even “heroes” in the imagery surrounding such confrontations, Prof. Marotti recounts, the state’s response came to be recognized itself as (illegitimate) violence (bôryoku). In turn, protest itself acquired value as legitimate political activity, indeed, as a voice for a range of concerns from a broadening constituency. In the wake of this transformation, a diminution of state force coupled with an expansion of political subjectivation to enable the explosion of oppositional activity characterizing Japan in 1968.

Lecturer Information:
William Marotti is Associate Professor of modern Japanese history at the University of California, Los Angeles. His forthcoming book, Money, Trains, and Guillotines: Art and Revolution in 1960s Japan (Duke University Press), examines the politics of culture and everyday life in Japan during the 1960s.

 

 

DECEMBER 2010

December 2nd, 2010 (Thursday) 6:00 PM
"Literary Genres in Flux: The Meiji State and the Politics of Novelistic Imagination"
Lecture by Satoru Saito, Rutgers University
Venue: Room 403 Kent Hall, Columbia University

Lecture Information:
During the late 1880s and the early 1890s, Meiji Japan witnessed a series of major political changes headlined by the promulgation of the constitution, opening of the Diet, and the issuance of the Rescript on Education. Befitting such a political environment, the literary landscape of the period was in flux, as writers and intellectuals struggled to find suitable ways to provide imaginary support to their readers in navigating this turbulent period of transition. This talk examines some of these literary struggles — the detective stories, science fictions, and political novels of Kuroiwa Ruikō, Morita Shiken, Yano Ryūkei, and Hara Hōitsuan — against the backdrop of the conceptual understanding of the novel as articulated and promoted by Tsubouchi Shōyō and Futabatei Shimei, among others. In so doing, it considers how different literary genres competed against but also acted synergistically with one another and how they fed off other media forms such as newspaper editorials to negotiate for Japanese subjects the intrinsic contradictions underlying the formation of the Meiji state.

Lecturer Information:
Satoru Saito is an assistant professor of Japanese in the Department of Asian Languages and Cultures at Rutgers University, where he teaches modern Japanese literature, film, and popular culture. His manuscript “Detective Fiction and the Rise of the Japanese Novel” explores the constitutive role that the detective and his story played in the literary formations of modern Japan. A shorter version of the manuscript’s first chapter appeared earlier this year under the title “The Novel’s Other: Detective Fiction and the Literary Project of Tsubouchi Shōyō” in The Journal of Japanese Studies.
 

 

December 2nd, 2010 (Thursday) 6:30 PM
“Zen and the Environment: It’s Not What You Think”
Lecture by Wendi L. Adamek
Venue: Faculty House, Columbia University
*Sponsored by the Columbia University Buddhist Studies Seminar with additional support from the Donald Keene Center of Japanese Culture and the Columbia Center for Japanese Religion

Lecture Information:
Zen is a hospitable environment for images of emptiness and all-inclusiveness, presenting the realized person as someone who is “at home everywhere. ”A verse from the famous “Ten Oxherding Pictures” says: “Inside his hut, he does not see any object, nothing, outside: rivers flow onward by themselves, and blossoms turn crimson like that.”

Well, does the river flow onward by itself if someone has taken away all the water? In this talk we’ll look at relationships with the non-human world as presented in the “Ten Oxherding Pictures” and the “Fox Koan.” Then we’ll ask: how does the Zen practice of self-forgetting/self-presenting work in the wilderness of our current cultural-natural challenges?

Lecturer Information:
Wendi L. Adamek is a scholar of Chinese religions and environmental issues. Her award-winning first book, The Mystique of Transmission, centered on an 8th century Chan/Zen group in Sichuan. She is currently working on watershed restoration on Maui, while finishing a book on a community of 7th century Buddhists and their relationships with their environment.
 


All events are free and open to the public. For reservation-only events, RSVP as requested in the event descriptions above.

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