Symposium: Japanese Aesthetics in Contemporary Sound And a Demonstration on the Traditional Japanese Sho

Symposium: Japanese Aesthetics in Contemporary Sound And a Demonstration on the Traditional Japanese Sho

November 10, 2000

Symposium: Japanese Aesthetics in Contemporary Sound And a Demonstration on the Traditional Japanese Sho
• Keynote Speech: Music critic, writer, and arts administrator John Rockwell
     Mr. John Rockwell was the Director during the first years of the Lincoln Center Festival,
     and is currently the editor of the Sunday “Arts & Leisure” section of New York Times.
• Demonstration of Sho: Mayumi Miyata plays examples of gagaku and contemporary sho music
• Panel Discussion: Toshio Hosokawa, Karen Tanaka, Lois V Vierk, and other music specialists
301 Philosophy Hall, Columbia University (116th St. & Amsterdam Ave.)
5:30 PM

sho

Sho is a mouth organ of Japanese court music. The sho consists of a lacquered wooden cup-shaped body, into which 17 narrow bamboo pipes of varying length are inserted vertically to form a circular cluster. Two of the pipes are mute; the remainder are fitted with small metal tongues vibrating freely through a small slot, and made to speak by closing a finger hole on the pipe. The instrument plays single notes and chords identified in the notation by the names of the pipes, and the player can maintain a continuous sound by sucking and blowing alternately. The sho is related to the Chinese sheng and to other East Asian mouth organs.

Co-sponsored with the Institute for Medieval Japanese Studies, the Department of Music, Columbia University, and Music From Japan.

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